joe daurril's youtube management page 1
Folk particularly interested in the 9th
annual Bach Birthday Bash may click here. It may be noted that occasionally YouTube does not bring up
the program advertised by its calling icon, Either for that reason, or simply
because you may prefer it, calling needs to be done thru its PlayList object.
On this page that access is obtained via COA, FCF, MM, Fiddler, and OK. Also, while page 2 in this set
offers comment from a perspective internal to the Access establishment, the
“floating” bottom section (“Distribution and Reception”) on this page recalls my continuing struggle wih the Tampa
hegemony, both political and
institutionally religious, to advertise my work at all. Any of those clips shown here for which I hold copyright
(marked by a “©”) are also available in the context of their original
(usually) 2-hour productions. Copies will be manufactured for a nominal
charge per your inquiry to jdaurril@juno.com, and delivered FOB downtown Tampa. You do have the
opportunity to record them off the air when cablecast: they will NOT
otherwise be legally available from either TBCN or your local Cable Operator. |
||||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
Family Christmas Festival 1990 © |
|
Choirs of Advent 1987 © |
||||||||||||||||||||||||||||||||||||
From its annual Family Christmas Festival,
the University of Tampa at Sacred Heart Church 1990, where (at the time) David Clark Isele was also the Director of the Church’s choir. 2008’s program
has also been consigned to cablecast (see below). |
|
Anthems from Town'n
Country's Ecumenical Christmas Carole Service in 1987. The musicians and
congregations of 5 Christian denominations participated: Methodist, Lutheran,
Episcopalian, Reformed, and Catholic. Incarnation Church in Tampa hosted the event, and video coverage was
provided by volunteers from the local Public Access Center. |
||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
_____________________________________________________________________________________________ |
||||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
“My
taping of Seminole Presbyterian's High Tops in 1991 earned a fist-place
award for Best Youth Single: I was that year also a finalist in two other GCA
categories. In fact throughout my Access tenure I was fortunate to be
at least a finalist in any category I entered, in any year I choose to do
so. I proceeded to tape Semonole’s annual musicals for another three
years, literally videocasting 1995’s graduating class thru their entire
performing history. That
included Music Man, Fiddler on the Roof, and Oklahoma.” (from the video
productions section of my CV)
Information
about the Upper School’s Spring Music programs (and more) is available from
its current administration at the Cambridge
Christian School (in Tampa). Sadly, I seem to have entirely
missed 2009’s Annie Get Your
Gun. If you have questions
or concerns about ordering the 2hr 10min DVD, please contact Mr. Matt
Stenberg @ 872-6744 ext. 239 or email and Mrs. Pam Ruiz |
||||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
Music Man 1992 © |
|
Fiddler on the Roof 1993 © |
||||||||||||||||||||||||||||||||||||
Opened on
December 19, 1957, at the Majestic Theatre. “It took Willson some
eight years and thirty revisions to complete the musical, for which he wrote
more than forty songs. The cast recording of The Music Man won the
very first Grammy Award for Best Original Cast Album (Broadway
or TV) ever issued.”
See his bio and the analysis of Music at Wiki. |
|
“The original Broadway production opened on
September 22, 1964 at the Imperial Theatre, transferred in 1967 to the
Majestic Theatre and in 1970 to The Broadway Theatre, and ran for a
record-setting total of 3,242 performances.” Selections here are preceded by
two introductions, and continue thru most of Act 2. (See also Wiki.) |
||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
Oklahoma! 1994 © |
|
HiTops 1991 © |
||||||||||||||||||||||||||||||||||||
The original Broadway production opened on March 31, 1943. It was a box-office smash and ran for a then unprecedented 2,212 performances, later enjoying award-winning revivals, national tours and an Academy Award-winning 1955 film adaptation. |
|
|
||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
_____________________________________________________________________________________________ |
||||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
|
|
|
||||||||||||||||||||||||||||||||||||
11 June 2008: the latest poop from TBCN on this year’s Bach Bash. We will talk about program playback in a moment – but first we might recall that Mary Garaci’s production approach to her work this year generally defies conventional understanding. If she had committed TBCN’s one and only remote production vehicle (which houses its own electrical supply unit) to the Bash, we might know why she could locate at only one of the three downtown churches serially celebrating this event. Using instead portable equipment that sets up on a card table, we must wonder why there were not enough of these (plus cameras) to go around. Then it turns out that because of either equipment grounding or power problems, only about half of St Andrew’s contribution was actually captured. And now three months after the event, even if we were in possession of some nefarious guide to to its cablecasting – notably at last at TBCN by navigating Watch Us – we could not at first glance find our program. Probably because she is short on contract fulfillment, the perhaps sorry residue of this memorable stand-alone event has been effectively buried in her Culture Vultures series. Under that title therefore we may hope to see our program according to the schedule posted above. Before leaving this topic, I must remind you that all scheduling at TBCN is extremely tentative: we are always therefore advised to check with their Master Control, at (813) 254-1687, before planning any viewing. 18 June 2008: Reviewing the first cablecast. Hardly what you would call "commercial-free," Mary's 37-minute finished work does provide us with about 15 minutes of remarkable music. For the encouragement of those who have not yet seen it, I have uploaded a 2-minute sample featuring Dr Ondras' violin solo. He is also represented both as a conductor as well as soloist in my December program, FCF 2008. The St Andrew’s segment of Tampa’s downtown Bach Fest (in 2006). The performance indicated below is taken from
the 7th installment in that series. As recorded, it is a
production of TBCN (which came into existence in the year 2000) and it’s
Outreach Unit under Garaci. The stills to the left suggest the only visual
activity we might see in the first several choral pieces: only the six
minutes represented in the rightmost panel contain any visual activity, which
is therefore accessible via the icon. |
||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
Distribution and Reception It may interest the casual visitor to this site
to know, that as of the Ides of May 2008 not a single person involved in any
of the productions presented above appears to have made any effort to
communicate with me – favorably or otherwise. Except for the hit-counts
provided by YouTube, I would have no idea that anyone in this universe had
seen any of the now more that eighty clips posted there this year.
I am especially disappointed by the poor
reception my work has lately received from the good Presbyterians on Habana
Street, now doing business as Cambridge
Christian School. Offering to try to set up a video-taping of
this year’s Spring Musical, my offer was rejected, ostensibly because they had
already made other arrangements. But attending their April 26th
production of Hello Dolly!, those “arrangements”
turned out to be a solitary parishioner with a consumer-level camcorder d/b/a Tim Taylor
Productions. I frankly don’t think their preferred coverage was any
fraction as good as the free service their administration chose in the early
‘90’s: particularly sad because this year’s program (and especially Jimenez and Eicholtz performances) was
among the best I’ve seen there. Perhaps it is these Christians’ policy that
other Christians in the community should not enjoy their students’ work:
perhaps they might explain that inhibition to the tuition-paying parents. |
||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||
Parish folk may remember that the 1-hour
1989 program containing this Eucharistic segment was aired as Tapp Revisited ©, according to the corrected schedule at the left.. We may recall that Access’ earlier attempt
to bring us Father John’s program failed after 15 minutes for an apparent
lack of sound. Post-morteming the situation revealed that all that mpg’s
audio was on channel two, and Access is currently designed to play only from
audio channel one. Now corrected to play on both channels, Sunday’s cablecast
should be acceptable. The Tapp Homily is now also available on-line. We
might also notice that in order to receive Access’ programming via Bright
House (BHN channels 949 + 950), one needs
to at least have their Converter Box, which rents for an extra $1/month. |
||||||||||||||||||||||||||||||||||||||
A new trailer remembering James Lyke is also available. Its associated 1-hour 1989 program
celebrates James’ visit to the Tampa Bay area while still the Auxiliary
Bishop for Cleveland. He would
leave here to become the fourth Archbishop of Atlanta, thereby then the
highest ranking Black prelate in the United States. A year after assuming
office he would be diagnosed with cancer, spending some part of his last year
planning his own funeral according to liturgy particularly appropriate to
Black Catholic celebrations. |
||||||||||||||||||||||||||||||||||||||
Viewers unfamiliar with the dismal reception of my 1990 program by “Education” and TBCN (Public Access Now) might not fathom my delight in publishing this 2008 addendum. Louise Thompson’s 2001 bid to destroy Access (“as she found it”) apparently included the wholesale rejection of any representation of my particular venue – certainly TBCN operations have never bothered on their own initiative to reproduce it. A few years ago Ann Flynn’s “Education” channel mimicked Thompson’s contempt by refusing to air 1990, even though both the talent and the locale are associated with TEC’s corporate sponsors. Blessed as we all are by Louise’s USF-bought cultural vision, is it any wonder that at the very moment my single location camera was taping Fine Art at Sacred Heart, TBCN’s entire Outreach establishment was fully engaged in immortalizing this year’s Ybor City Santa? |
||||||||||||||||||||||||||||||||||||||
Unfortunately, my initial plan for a quick
wrap on this project seemed to require adjustment for a more comprehensive
interpretation of the PB’s visit. It seems DeLa’s Southern Cross (and
his website) suggest what I consider to be a fairly hostile reception to
the Bishop’s remarks earlier in her tour. If there should be some severe
discrepancy in ecclesial objectives between our local authority and the
national one, I think our on-line faithful need to be advised of the
situation. We therefore considered the possibily of developing a more comprehensive
representation of the PB’s Southeast tour, for which the diocese also had no
interest.
Lacking that, we are now prepared
nonetheless to cablecast an innocuous 1-hour version I have dubbed “Katharine
in Florida – 2008,” whose air times are posted at the right for the week of December 20th
2009. There are obvious technical flaws in the recording, but I hope you will
appreciate my intent. |
||||||||||||||||||||||||||||||||||||||
|
last updated 6-december2009
Get your